METEA MEDIA

Movie Review with Brandon Yechout – Star Wars: The Last Jedi

Hang on for a minute...we're trying to find some more stories you might like.


Email This Story






I’ve always felt that the Star Wars films are a bit overrated. They’re technically stunning, of course, but it seems to me that people often tend to disregard the series’ consistent weaknesses. It has admittedly been some time since I’ve seen the original trilogy in its entirety, so perhaps this opinion will shift upon a rewatch. Luckily, as the series is still going strong, I have a more recent metric to gauge my criticism by. I was mostly unimpressed with “Star Wars: The Force Awakens,” and, disappointingly, I feel much the same of “Star Wars: The Last Jedi.” Between the two of them, though, I must say that I enjoyed “Star Wars: The Last Jedi” the most, a view that appears to be shared by most critics but ferociously opposed by many Star Wars fans.

I should preface this by stating that this review is being written with the assumption that the reader has seen at least one of the original “Star Wars” films or “Star Wars: The Force Awakens.” Some characters may be mentioned with the assumption that you already know of them if they were featured in a previous “Star Wars” film. This review is also going to contain a couple of spoilers, so consider this a spoiler warning. With that out of the way, I’ll share a quick summary of the film’s plot. The film picks up exactly where “Star Wars: The Force Awakens” left off, as the Resistance flees from their headquarters and are tailed through a lightspeed jump by the First Order by way of newly developed tracking technology. Without enough fuel to continue putting up a chase, they are left in a grim position. Meanwhile, on a far-off planet, Rey begins training as a Jedi under the guidance of the legendary Luke Skywalker. She quickly discovers, though, that Luke, who was initially reluctant to teach her, is holding on to a few sinister secrets of his own.

One of the things that I was surprised to find myself enjoying were the visuals of the film. Firstly, I understand that the Star Wars films have a storied history of spectacular practical effects, a reputation that is well deserved. This film is expectedly heavy on CGI, and I wasn’t particularly bothered by that. Often I find there is a degree of elitism to the undeservedly harsh bashing of CGI in any film, which only serves to further undermine the legitimate discussion there is to be had of the problems that surround the overuse of CGI. I don’t think it would have been to the film’s benefit to employ practical effects in its spectacularly grand space battles like it was to, say, the benefit of “Blade Runner 2049” to admirably construct miniatures for many of its scenes (it should also be noted that the majority of the creatures in “Star Wars: The Last Jedi” were actually created through practical effects, as opposed to CGI). The greatest strength of CGI over practical effects is its ability to play to a certain aesthetic that would have been either not as effective or impossible to achieve with practical effects, and I was pleasantly surprised to see even flashes of “Star Wars: The Last Jedi” using it in this fashion. Two scenes come to mind right away in this regard, the stormy night on Luke’s island, and the confrontation between the First Order and the Resistance on the planet of salt. The rest of the film looks great as well; of sweeping scale and, on occasion, vivid color.

By far the film’s greatest strength, and the main reason that I enjoyed it more than “Star Wars: The Force Awakens,” was its willingness to take chances. “Star Wars: The Force Awakens” was so terribly frightened of taking any risks at all that the film came off as a complete beat-by-beat retreading of the first Star Wars film. Everybody seemed to eat that up, for a time, until the novelty (or lack thereof) of it all wore thin, whereupon I saw many people who were once adamant in their praise of the film sober up to its derivative nature. This is where “Star Wars: The Last Jedi” differs. Rather than attempting to copy what has already been done in the franchise, it offers up something fresh. I really enjoyed the “perpetual chase” aspect of the film, for instance, wherein the Resistance is relentlessly pursued by the First Order for the entirety of the film’s runtime, and the Resistance ships have not enough fuel to escape but just enough to stay barely out of reach of the brunt of the First Order’s attacks. The film also expands on the Force, and how characters are both able to connect with it and make use of it. This appears to be where many dedicated Star Wars fans seem to be taking up trouble with the film; however, as somebody who has never really cared too much about Star Wars, I was appreciative of the fact that the film was willing to try something new.

Quite a lot happens in this film as well, so much so that I’ve actually not much of an idea as to how they plan on resolving the story in the third film. The resistance is decimated, as is much of the First Order. Snoke is killed around two-thirds into the film, as Kylo Ren and Rey team up against his team of elite guards in one of the film’s best scenes. Instead of turning against the First Order, however, Ren then decides instead to assume Snoke’s previously held position of Supreme Leader and shape the regime around his ideals. A bit of moral ambiguity (though somewhat of a platitude) is even brought into the franchise through Benicio del Toro’s character, who also delivers the film’s best performance.

By far and away the worst aspect of the film, though, was its consistently weak and insipid writing, something that “Star Wars: The Force Awakens” was also no stranger to. The dialogue throughout the film ranges from the inept to the borderline insulting, and it weighs the film down like an anchor. The film also has the dubious honor of featuring one of the most god-awful lines of dialogue I have ever heard from any popular film. Ever. It comes towards the end of the film, after one of the film’s new characters, Rose (who is inexplicably able to pilot a speeder craft, by the way, despite only being a mechanic for the Resistance who has never actually participated in any Resistance operations in the field), prevents Finn from going through with a suicide mission by crashing into his craft with hers and sending both of them off to temporary safety. While Finn tends to her as she lies severely injured in the wreckage of her craft, she speaks to him these words of unparalleled wisdom: “This is how we win. Not by fighting what we hate, but by saving what we love.”

They’re not going to win by fighting the First Order? They need to “save what they love,” really? This line meant to be some memorable, poignant proverb from one of the film’s unexpected heroes, and the best they could do was this trite nonsense? At this point in the film, watching it in the theater, I heard my father let out a begrudged sigh, and I looked to my side to see him bury his head into his left hand as a look of intense annoyance overtook his face. Though I was not as dramatic about it, I felt much of the same.

The film’s substandard writing also extends beyond just the dialogue of the film, leading to many poorly thought-out or downright stupid scenarios. I’ll specifically discuss some of the most egregious examples. I mentioned already Rose being able to pilot the speeder craft; in that same scene, Luke mysteriously appears inside of the rebel base to aid them in their stand against the First Order and confront his former apprentice. This is the first time he’s been seen in decades, mind you, and nobody says a thing. Nobody brings up the fact that he’s just suddenly appeared after all these years, and the oddity of his inexplicable appearance inside of the base, behind all of the rebels, is only mentioned in a fleeting remark. He merely looks at Leia for about a minute, then exits to face Ren alone and buy the Resistance enough time to evacuate. It’s later revealed that Luke was merely projecting himself there through intensive manipulation of the Force, but that hardly excuses the nonsensical behavior of everyone around him during this scene.

Speaking of nonsensical, I’ll now touch upon what is possibly the most controversial scene of the film. Near to the film’s opening, there is a scene wherein Leia is sucked out into space without protection, and is thought to be dead for a brief moment. She quickly re-awakens, and uses the Force to hover herself back into the spacecraft, whereupon she is taken to the ship’s medical bay in critical condition. Let me repeat. She hovers herself back into the spacecraft using the Force. The Force. This is the first time she has ever been shown with the ability to manipulate the Force, and nobody comments on it, not even herself. It isn’t mentioned once. She also enters the ship through a simple door; you know, after the entire bridge of the ship has been blown apart and depressurized, they merely open the door for her, and she comes in, without sending the majority of the ship’s crew out into the vacuum of space. Why have they been wasting resources on airlocks all this time, then, if they were completely unnecessary? This has been the most universally hated scene of the film, from what I can gather, and the hate is one-hundred percent deserved.

While I do believe that “Star Wars: The Last Jedi” is a decidedly flawed film, to hold “Star Wars: The Force Awakens” on a pedestal above this film as many have been doing is simply absurd. Yes, the writing in this film is disappointingly (though expectedly) poor, but that was also the case with “Star Wars: The Force Awakens”. What “Star Wars: The Last Jedi” lacks in true, meaningful substance, it makes up for with its boldness. A film that wasn’t afraid to take chances in such an established franchise as this deserves at least that level of recognition. A respectable effort, “Star Wars: The Last Jedi” easily earns its position above “Star Wars: The Force Awakens” as the better film. Brando’s rating? Three out of four stars.

About the Contributors
Brandon Yechout, Perspectives Reporter
Brandon Yechout is a senior at Metea Valley and a perspectives writer for Metea Media. Though this is his first year on staff, Brandon has worked on The Mane in previous years. Brandon enjoys watching a variety of films, mostly classics. His favorite director and actor is Orson Welles.
Kennedy Homan, Graphics Editor
Kennedy Homan is a person of many different problems. She likes ducks too much, she throws stuffed animals at people in school, and she has no social life due to drawing too much. Her haircut might as well be copyrighted due to it never changing, and her sense of fashion is wearing black capri every...
8 Comments

8 Responses to “Movie Review with Brandon Yechout – Star Wars: The Last Jedi”

  1. skywalker on January 10th, 2018 8:30 am

    really quick things about the review

    1. Leia has shown she has force abilities, so saying she hasn’t is wrong. the scene with her makes sense, but it looks goofy.
    2. Saying no one said anything about Luke as a criticism isn’t really fair considering, everyone was speechless when they saw him. He’s a legend to all of them except leia, and c3po.
    3. Luke didn’t just stare at leia and leave, they had a legit conversation

    otherwise great review

  2. MovieLover6000Million on January 10th, 2018 9:10 am

    Seriously do more!!!

  3. reddietrash on January 10th, 2018 9:30 am

    FINALLY a article about this movie 🙂

  4. yes on January 11th, 2018 8:00 am

    Do a movie review of Ladybird.

  5. Ladybird Fan on January 11th, 2018 9:04 am

    They already did in like late November/early December! If you use the search bar you can just look up ladybird 🙂

  6. The Anti-Mod on January 11th, 2018 8:54 am

    As a very intrigued Star Wars fan, I must say I did really enjoy The Last Jedi and The Force Awakens. Admittedly the whole idea of having meaningful side characters like the original trilogies really was flawed as seen with Rose but I think the entire script shouldn’t be overlooked. The Last Jedi and its killing of our loved character Han was far from a risk free script. The ending scene with the ship smashing through the opponent’s was unexpected and not a mere run away. No one on their first run through of the film could predict any of that. Yes, there is a need to create memorable characters and they mostly succeeded as seen through Finn. Although debated that he is a main character I think it is needed to look back at the originals. The one with the force, Rey, is the one that is destined to stop the First Order and it is her journey to stop them through the aid of Skywalker as expanded on in The Last Jedi. We have to follow her as she seeks hope from Skywalker’s crippled state, just another risk the series has taken. The end of the trilogy ended with him being full of hope as he just decimated an entire regime having to face the wrath of his own father albeit not entirely. The point is the film took a leap and the review overlooked them. The scene with Leia being proven to have the force although critically acclaimed to be silly was just a way they could have shown in given their is running out of fuel and they have no where to go after the escape pod incident. My weakness is that I need to rewatch the movies again to try and see if my love for piece of American culture is getting in the way of analysis. If I have to go out with something, the ending scene was simply brilliant, using Ren’s hatred for Luke against him so the others can escape was the ultimate haha moment to ease the suspense as they leave the giant rock. Not to mention Luke did that from such a distance, something we have never seen before in the series or knew could happen because they took the chance to expand the world of Star Wars.

  7. darkstripe on January 11th, 2018 11:29 am

    i see tlj as a good movie. not an impeccable masterpiece with no flaws (it does have many flaws, specifically in the pacing and general organization of the story), but still a worthy addition to the franchise and imo much more compelling than the force awakens.
    i can see people’s issues with it, but overall it’s a good movie and worth watching
    i’m incredibly glad they didn’t try to pull a romance between rey and kylo ren. a lot of people seem to be for it but they try to kill each other and it would add nothing to the story (alongside a crapload of Bad Implications). so yeah that relieved me

  8. Henna on January 17th, 2018 7:58 am

    Honestly, me too. Rey and Ben wouldn’t be a good couple for so many reasons. I read the books (yes Star Wars had books) that the new movies are based off of, and the family trees are a bit altered, but nonetheless I still believe I know Rey’s parents (or one) and a romance between these two would NOT work. Google if you don’t care about spoilers. Gonna try to keep this spoiler-free, I’m sure you understand.

Thank you for adding your voice to the conversation. Please note that all comments are moderated. Metea Media will not publish comments if they contain the following:

▸ Rude or obscene language (i.e. swear words, sexual jokes, violent threats, etc.)
▸ Hate speech (i.e. racism, sexism, homophobia, etc.)
▸ Insults towards a specific student or a teacher
▸ Content that is irrelevant to the article or does not add to the discussion
▸ Submitting comments under somebody else's name

Refer to the student handbook for further specifics on what is considered appropriate.

The Social Media Editor will read and evaluate all comments. Should there be any issues with a particular comment, the Social Media Editor will consult the newspaper adviser and Online Editor-in-Chief.

If you want a picture to show with your comment, go get a gravatar.




Navigate Right
Navigate Left
  • Movie Review with Brandon Yechout – Star Wars: The Last Jedi

    Entertainment

    ‘Anthony Bourdain: Parts Unknown’ starts host’s posthumous season

  • Movie Review with Brandon Yechout – Star Wars: The Last Jedi

    Entertainment

    Olivia Munn leads a promising but forgettable cast of bumbling misfits in ‘The Predator’

  • Movie Review with Brandon Yechout – Star Wars: The Last Jedi

    Entertainment

    Anna Kendrick shines in stylish but overcomplicated thriller

  • Movie Review with Brandon Yechout – Star Wars: The Last Jedi

    Staff Playlist

    Stampede Staff Playlist: September Edition

  • Movie Review with Brandon Yechout – Star Wars: The Last Jedi

    Ben's Guide to Musical Theater

    Ben’s Guide to Musical Theater: Come From Away

  • Movie Review with Brandon Yechout – Star Wars: The Last Jedi

    Entertainment

    “Popular” Oscars category sparks debate among movie fans

  • Movie Review with Brandon Yechout – Star Wars: The Last Jedi

    Entertainment

    BlacKkKlansman depicts a humorous and timely look at race relations in America

  • Movie Review with Brandon Yechout – Star Wars: The Last Jedi

    Entertainment

    13 reasons why season two is terrible *SPOILERS*

  • Movie Review with Brandon Yechout – Star Wars: The Last Jedi

    Entertainment

    The history of the podcast

  • Movie Review with Brandon Yechout – Star Wars: The Last Jedi

    Entertainment

    The Evolution of Disney Channel

Your World. Your Stories. Every Day.
Movie Review with Brandon Yechout – Star Wars: The Last Jedi